Designing colourful drawings and patterns which can be widely applied has great appeal for me also to meet the challenge of transference between two dimensions and three.

By allowing the drawing to integrate with each technique, slip-casting, hand-building and throwing, sharp and blurred images and edges, focussed and unfocussed moments are created. By allowing the parts of the mould making process to be the forms themselves, the negative and positive spaces are exposed bringing about a closer focus on the moments in the making experience. The colour can be vibrant yet subtle, clear and still then moving speedily through. The shiny and matt surfaces illustrate the beauty of the material and the clarity of the ceramic result.

These pieces combine form, colour and pattern with the intention of exploring the space where ideas and places move into objects each conveying their own moments of clarity.